All posts tagged Hella

Sometimes you run into the funniest things in the funniest places… Right there on the rocks, at low tide, all exposed ūüėÄ Wouldn’t want to keep it from you:

Nature against you

D700, ISO200, 1/180 sec @ f/6.7, Nikkor 50mm

So… That was a disappointment… Beautiful day the entire day, and everything down the drain because it turned overcast in a few hours.
Ok, maybe not everything down the drain, we did get some good pictures, but still. We didn’t get what we actually came for.
That called for another night on the town. We were back at the hotel around 23:30. And so it appears that IF anything happens in the city of Troms√ł, it doesn’t happen before midnight. We went to the same place as yesterday, which was actually full with people. Not so different from Finland, I must add, since there were a good number of them well beyond there quota. It must’ve been an expensive night for them.

We didn’t make it a long night, since we had another long day ahead of us. Last chance, as we were homeward bound the next morning. The weather forecast was good according to several websites now. We woke up in our brightly sunlit walk-in closets and that set our moods in the right direction ūüôā
Today’s route would lead us around Hella, Bakkejord (the area where the first boat pics are from), and Sommar√ły back to Ersfjordbotn, which is a typical place where many people before us have shot the Northern Lights.

Hella, Norway

D700, ISO200, 1/500 sec @ f/11, Nikkor 14-24mm

Near Sommar√ły, Norway

D700, ISO200, 1/500 sec @ f/8, Nikkor 70-200mm

Bakkejord, Norway

D700, ISO200, 1/500 sec @ f/13, Nikkor 50mm. 180-degree panorama built from five images.

Near Sj√łtun, Norway

D700, ISO200, 1/350 sec @ f/9.5, Nikkor 50mm. 180-degree panorama built from five images.

Near Sj√łtun, Norway

D700, ISO200, 30 sec @ f/16, Nikkor 50mm, Singh-Ray VariND filter

Near Sj√łtun, Norway

D700, ISO200, 20 sec @ f/11, Nikkor 50mm, Singh-Ray VariND filter

Following the previous post about Norway I have a few more examples of the boat. Approach was the same as in the previous post.

Boat wreck originals

This image was combined out of three exposures.
Left, exposed for the foreground: D700, ISO200, 1/125 sec @ f/11, Nikkor 14-24mm.
Middle, exposed for the boat: D700, ISO200, 1/350 sec @ f/11, Nikkor 14-24mm.
Right, exposed for the sky: D700, ISO200, 1/750 sec @ f/11, Nikkor 14-24mm.

I’m sure I would’ve been fine with just two exposures for this one. There’s enough detail in the RAW file to bring out the foreground sufficiently from the middle exposure, but owwell… This worked out just fine, too.
And the end result:

Boat wreck end result

The end result after all the work is done.

And the same for a detail of the boat.

Boat wreck detail originals

Two exposures here.
Left exposed for the sky: D700, ISO200, 1/750 sec @ f/8, Nikkor 50mm.
Right exposed for the wood: D700, ISO200, 1/250 sec @ f/8, Nikkor 50mm.

And the end result:

Boat wreck detail

The end result

It’s been quiet for awhile. I’ve been on the road a lot, and busy with a whole bunch of things.
The past days mainly processing images from a trip with a good friend of mine to Norway to shoot the Northern Lights. This post is not about that, I haven’t finished processing the images, yet. In the next few days I will, and then I’ll make some posts about that.

I’ve been going on about HDR and cross-processing in the past, and the picture below is a bit of a cross between the two.
It was shot in Norway, near Hella in the Troms area, just south-west of Trom√ł. Beautiful area and very nice people. It required us to cross private land. When we drove past the property we ran into (not literally ūüėČ ) a guy taking a walk and we inquired about it. He said “Oh, no problem. Just go. People here don’t mind so much. I haven’t spoken to the owner in awhile, I guess I can stop by and have a talk with him, tell him that you guys are good guys.”

And so we parked our car on the property and strolled around there for almost two hours.

It really IS nice to get out of a town where people are so private that they (really, this happened to me for real, in the elevator in Helsinki’s Stockmann) turn their back to you not to have to face you, look at you or -god, beware- nod a friendly good-day to you.

Anyway… A whole bunch of pictures, it’s not really a tutorial, but it kind of shows in a few steps what I did.

Boat wreck originals

The two images from which the end result is built up.
Left exposed for the boat and foreground: D700, ISO200, 1/60 sec @ f/11, Nikkor 14-24mm.
Right the image exposed for the sky: D700, ISO200, 1/500 sec @ f/11, Nikkor 14-24mm.

The screenshot of the canvas in Photoshop looks like this:

Screenshot of the Photoshop canvas

Screenshot of the Photoshop canvas with the layer palette showing all the adjustment layers with masks.

I’m very anal about my images, and I hate it when I see halos around my images when I produce HDRs. I’m sure there’s software that can do it quicker than I can do it by hand, but it took me just over an hour to mask out the boat perfectly. A small, hard brush to draw the perfect outline around the object and then filling it in with a big brush or the selection tool to make the perfect mask so you don’t see a halo in the sky or dark lines around the edges. The foreground with the sand and sea weed wasn’t as critical as the sky, luckily, otherwise it would’ve taken probably twice as long.
The basic mask, which I used for the rest of the masks, looks like this:

Photoshop mask for the wreck

It may look like a simple shape, and it is, but with HDRs and different exposures the mask has to be very precise to prevent halos or dark edges to show up in the areas where the two exposures merge.

And the end result, after all the work is done:

Old ship wreck lying tilted on a shore at low tide

The end result, after all the tweaking, masking and color correcting